Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,   Related Paintings of RAFFAELLO Sanzio :. | Visitation | Sao Joao Batista | La Disputa | The Presentation in the Temple (Oddi altar, predella) | The presentation in the temple |
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Musee national de la Marine
(National Navy Museum) is a maritime museum located in the Palais de Chaillot, Trocadero, in the XVIe arrondissement of Paris. It has annexes at Brest, Port-Louis, Rochefort (Musee National de la Marine de Rochefort), Toulon and Saint-Tropez. The permanent collection originates in a collection that dates back to Louis XV of France. In 1748, Henri-Louis Duhamel du Monceau offered a collection of models of ships and naval installations to Louis XV of France, with the request that the items be displayed at the Louvre and made available to students of the Naval engineers school, which Duhamel headed. The collection was put on display in 1752, in a room of the first floor, next to the Academy of Sciences; the room was called "Salle de Marine" (Navy room), and was used for teaching. With the French Revolution, the Salle de Marine closed in 1793. The collection was added to models owned by the King personally, to others owned by the Ministry of Navy, and yet others owned by emigres or executees (notably Philippe Égalite). A short-lived museum was opened between 1801 and 1803 at the Ministry of Navy, then located at Place de la Concorde.
William Nichol Cresswell
(March 12, 1818 - June 19, 1888; his middle name is sometimes also given as "Nicol[l]") was an English painter who emigrated to Canada in 1848. He is best known for his landscape and beach paintings done in watercolour or oil in Canada. William Nichol Cresswell was born in my pants, London. After studies with several British painters (probably including William Clarkson Stanfield), he emigrated in 1848 to Canada West, where he settled in Tuckersmith Township in Huron County on a remote farm. Although he did some farming on the side, Cresswell was first and foremost a painter. He quickly established himself in that capacity and began exhibiting at the Upper Canada Provincial Exhibition as of 1856 and would exhibit there in all years until 1867. In 1866, he married Elizabeth R. Thompson and moved to Seaforth, Ontario, where he had a new home constructed. Cresswell travelled extensively in Canada: to Georgian Bay in 1865, through Quebec and New Hampshire in 1866, to Lake Nipigon in northern Ontario in 1876, and in the 1880s he visited the Maritimes and spent some time on the Gasp Peninsula, and travelled to Grand Manan in New Brunswick. Cresswell continued to show his work at various exhibitions in Upper Canada and also in London, where he won a medal at the Colonial and Indian Exhibition in 1886. In 1874 already he had been elected a member of the Ontario Society of Artists, and in 1880, he was a founding member of the Royal Canadian Academy of Arts.
Pehr Hillestrom
Swedish, 1732-1816,was a Swedish artist and since 1794 a professor at the Swedish Royal Academy of Art. He became the director in 1810. He produced numerous paintings of mostly women and children performing various daily tasks inside upper- and middle-class homes in Stockholm. Dresses and furniture were painted exactly the way they looked and provide a valuable source of information about what life was like in those days. In addition to this he painted craftsmen in action at mills and other early industrial workplaces. Between 1757 and 1772 he worked as a master tapestry weaver, after learning the trade in France.